Birdsong enveloped Tramp and I, as we made our way up the
lane towards the woods on our walk this morning – and if it wasn’t for still
having to wear wellingtons to navigate the mud to come, I would have said it
brought a spring to my step. As we passed people’s front gardens, I noticed crocuses
were open to the warm sunshine, bringing jazzy colour into view; so loudly
bright when our eyes are used to grey, lightless days. Such a glorious, early
Spring day cannot fail to lift the spirits.
I noticed one of the houses in the
lane was up for sale as we went by. It has been empty for a while. Last winter,
though, it was rented out to a couple in their fifties, Dawn and Bill. They
were second-time-arounders, both with children grown-up and married, but who
had only just met. They were with us only a few months. While I suspect they
probably weren’t right for each other from the start, it seemed that living in
our village did little to cement their union.
Village life can seem remote, even
in the crowded South East, so it does take a little getting used to. This much
was certainly evident when I spoke with Dawn in the Church Hall during the
interval of the Christmas show that year.
‘It’s so dark
everywhere,’ she complained. ‘How do you manage without streetlights?’
‘Yes, I
suppose it is quite dark at times,’ I said. ‘I am just used to taking a torch
with me wherever I go now. I don’t really think about it.’
She went on,
‘But what about driving?! And you have to drive because there’s nothing here,
is there? I can’t bear driving along these winding roads in the dark. I feel
such a prisoner by the time it gets to around 4.30! Don’t you?’
‘Well, it doesn’t worry me so much
probably, because I am used to the roads…’ I faltered, realising that she was
completely missing the point and didn’t see the bigger picture of what village
life had to offer. I tried a more positive tack: ‘You know, the stars are so
bright here on a clear night. The sky is a real canopy of lights! You
don’t see the stars nearly so well with street lights, of course.’
Dawn moved away, no doubt hoping for
a more sympathetic ear. Meanwhile, I overheard Bill enthusing to my neighbour,
Lawrence, about the barn owls he had seen. I often see them myself, fluttering over
the fields like airborne white handkerchiefs, before they swoop down to collect
their prey. Bill had started taking evening strolls to watch them. Dawn, it
appeared, was not interested in accompanying him, for want of suitable shoes.
They broke up soon after -- Dawn and Bill that is; not the shoes.
Today, I continued deeper into the
woods and passed where the wild daffodils grow. No sign of them yet, but I
would be ready to find them when the time came, as well as keeping a sharp look
out for the wild orchids that grow nearby. As we circled back past the stream, while
Tramp paddled I checked the sunny bank I knew would soon display primroses and
violets better than any stand at Chelsea .
The primroses were in position; violets are yet to make their appearance.
Still, it is only March!
It was in these woods that I saw my
first badgers – alive, that is, for sadly, there is no shortage of badgers
killed on the roads around our village. Actually, I saw not one, but a family
troop of badgers that day, trotting along a ridge in single file through the
shimmering sunlight that filtered through the trees. Tramp, like me, stopped in
his tracks and watched them, filled with wonder at the sight. They have spoiled
me now, though, for seeing deer skipping lightly away from our path ahead, or
foxes whose eyes shine like jewels in the undergrowth, especially at dusk.
There are
woodsmen at work in several areas of woodland around the village, and it is
clearly evident where they have been: the ground in the woods looks vulnerably bald where
trees have been thinned, and brushwood heaps line the edges of the
footpaths. But I console myself it is for the best, and it won’t be long before
the undergrowth is rejuvenated.
Soon after passing their makeshift
day camp and charcoal burner, I spotted James, who lives in an old horsebox parked
in the grounds of a house on the outskirts of the village, where something of a
‘commune’ has collected. He usually works with the woodsmen. Now he was
kneeling, hunched over a log in a boggy patch alongside the path.
‘Hello
James,’ I said. ‘What are you doing?’
He straightened
on hearing my voice and tossed his long dreadlocks back over his shoulders. I
could then see that he held a camera in his hands, with a smart, technical-looking
lens attached.
‘I’m
photographing this,’ he said, and pointed at the log. ‘It’s an early, Spring
fungi. Such a wonderful shape and texture.’
I knelt and looked at the perfectly-formed, soft fungi,
pristine against the dark, rotting wood. But what I found more astonishing was that someone
who works so closely with trees in the woods could be so captivated by such
detail. It really was like looking at the world through a different lens -
compared to Dawn’s; and not just a matter of appropriate footwear.
The development I live in is just remote enough that we have several resident families of ducks that wander all around and a turtle that once stopped traffic while it crossed the street. It's not the same as living in the city and I like it that way.
ReplyDeleteThanks for the comment... sounds like a great place to live, too.
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